It is said that during the late 1930’s, at a time when Manuel Quezon served as President of the self-governing Philippine Commonwealth, he was keeping a mistress who lived in what was then the affluent district of Santa Mesa. So he would pay her a visit from time to time on a strict timeframe, something which was of convenience as well since he also maintained a residence in the area. (as well as some other prominent Filipinos during the prewar period) One day however, in one of those visits, Quezon and his entourage was stopped by a passing train along the railroad tracks that intersected Santa Mesa Boulevard. Being in…
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Pandacan: the land of arts and depots (Part 2)
One little-known fact about Pandacan is that it has been dubbed the “Little Italy” and “Little Venice” partly because of its topography being surrounded by a river and esteros or creeks and also because of it being the center of arts and culture especially during the 19th-early 20th century. In fact, Pandacan was known as the cradle of Italian operas in the country as this district was the center of opera and orchestral music performance in and around Manila, and perhaps the country as well. One of the foremost figures of music based in Pandacan is Ladislao Bonus, who is also known as “the father of the Philippine Opera.” He…
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Pandacan: the land of arts and depots (Part 1)
Not many people know this but May 30 this year is an important milestone being celebrated in a certain part of Manila, in a district they call Pandacan. What makes this date this year special is that it marks the 300th anniversary of the foundation of Pandacan. Thus, this series is dedicated to this storied district. Located along the southern banks of the Pasig River across the districts of San Miguel and Santa Mesa lies the district known to many as Pandacan. Glancing from its name one might think it may have come from the Tagalog root word “pandak” or “short person” thus giving the perception that it may have…
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Isabel II: the monument that almost got ditched
Located in an inconspicuous corner at the northeastern end of the Intramuros walls stands this particular monument made of copper (which is why it’s greenish in color) This monument happens to be of one dedicated to one of Spain’s most controversial monarchs, Queen Isabel (or Isabella) II. She became a polarizing figure when she assumed the throne of the Spanish monarchy at age 3, as her accession was opposed by those who feel that the crown should be given to a male member of the royal family, even though Isabel was a direct descendant of the late king Ferdinand VII and that the king himself had no male children.